questions

The James Bond Dilemma ( 2 ) (22)

Z-Pattern, Novel length, etc (12)

The Crucial Element and Archetypes (4)

Understanding Steadfastness and Change in a Character ( 2 ) (22)

Distinguishing between IC and RS throughlines? (10)

How the Genre is reflected in every scene? (4)

Relationship Throughline - What if it changes? (2)

How do distinguish between Obtaining and Doing? (5)

Influence character who is also protagonist ( 2 ) (26)

Unique Ability to achieve story goal/resolution (5)

Can a main character be "steadfast" in one storyform and "changed" in another? (12)

About Static Plot Story Points (4)

Nature of the MC problem and solution (7)

Want to Understand PASS and PRCO Better (1)

Overall story issue of Approach (2)

Steadfast Characters Solutions in the Analyses (4)

The Relationships between Concerns in Different Domains? Genre? (11)

Relationship fixed attitude (9)

Formulation of Unique Ability and Critical Flaw for an Antagonist MC (13)

Understanding the meaning of scenes (2)

Breaking down you story into managable pieces (10)

Hinder as Soloution (5)

Domains and Classes aren't quite the same thing? (4)

Dramatica and Non-Fiction (6)

Stories Without Protagonists? (8)

Theme Browser and PSR (5)

Tkad and prco patterns (4)

Rogue One, thoughts? ( 2 ) (21)

Choosing Throughlines (3)

Where is the videolink to the 2016 Story Embroidery session (14)

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