What one can achieve when there's desire?
Equity vs Inequity
Choosing domains of Psychology vs. Mind
Using the same story form to reach the desired word count for a novel
What might be a goal/OS Concern ? if-----
Elements and PRCO, TKAD, SRCA and PASS
Are types explored the same way as variations?
Must the Protagonist solve the story problem? The Climactic Moment
One thing I've been wrestling with for a couple of weeks now - why?
Crucial element for MC Change/Start/Success
"If the consequence persists..." implications?
Emphasized Throughline Issue/Counterpoint
Critical Flaw Element
Encoding Signposts with Conflict?
OS perspective and non-major or non-element characters
Has anyone read Inside Story
Abrupt Tonal Shifts
Exploring Motivations, methodologies, evaluations and purposes for the MC, IC and RS throughlines
What does Dramatica mean by MC "was on the Right Track"
Character Flaw in the traditional sense
Can working through the four levels of justification aid your expression of a quad story points
Question about PSR'scenes
You should only present your story for appreciation when you have completed a signpost?
All characters Change
New to Dramatica: Having Trouble Understanding Start/Stop
Defining a quad underneath story events
[Dramatica for novels] Who should be the narrator?
Question about Drivers
Questions about Crucial Element
Character Elements, Thematic Sequences
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