Crucial Elements for Steadfast & Failure story
Encoding True Conflict in Throughlines Other than the MC’s
Choosing right domain for construction deficiencies and defects
How to nail down a storyform quickly
The dark side of Narrative First
MC Concern - Works/Doesn't Work
The Problem of the Novelist and Dramatica
Kishōtenketsu Plot without Conflict?
Any tips/resources on how RS story points relate to RS "outcome"?
Issues of being-old within Becoming
Why is that symptom-response associated with that problem?
Can an internal OS have an external "surrogate goal" for a clearer climactic event?
The Inequity of a story
Understanding the Antagonist in my Story
Holistic MC with a Response of Logic
How to compose a proper Grand Argument Story?
Using a "main character throughline personal opponent" like Calpurnia to help demonstrate MC growth
Sharing a practice encoding for MC in Manipulation
(the writing process) Aaaggghh! I lost most of my notes and
PSR which issue is explored when
Dramatica: Fractal through to the end
Generic Signpost Summary
First attempt at Story Weaving from a Story Form. Looking for feedback
Multiple gists per story point?
Anyone else in New York CIty?
My Writing Experience with Dramatica
Any Techniques for Adding Secondary Storyforms?
My agent asks for my book
Ghost Influence Character
Multiple Main Character dilemma
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