Just read this section, trying to figure it out.
A So, on the one hand, you can have a throughline that starts out expressing Drama be monotone, and express all four dramatic modes (Growth Drama, etc).
B OTOH, you can have a throughline, for variety, move through the genre modes (Information, Entertainment etc) as long as they're in the right order, so they don't jar when you move between them.
1 Can you order the genre moves on the presentation storytelling level instead of the internal logic of the throughline level? Seems to make sense to me that you could, in fact it would be best.
2 Is there Dramatic theory around composing FOR the genre? I guess that's more in the storytelling arena than in the structural arena...?
Doing B seems pretty ambitious, but clearly it's done all the time. Any thoughts would be appreciated.