# Complete Mapping of Archetypal Pattern on the 64 Elements

**URL:** <https://discuss.dramatica.com/t/complete-mapping-of-archetypal-pattern-on-the-64-elements/1167>\
**Category:** Support\
**Created:** [August 16, 2017, 8:18pm UTC](https://discuss.dramatica.com/t/complete-mapping-of-archetypal-pattern-on-the-64-elements/1167 "2017-08-16T20:18:34Z")\
**Posts on this page:** 1\
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**Author:** ![actingpower](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/actingpower/32/2201_2.png) [@actingpower](https://discuss.dramatica.com/u/actingpower)\
**Post date:** [August 17, 2017, 1:55am UTC](https://discuss.dramatica.com/t/complete-mapping-of-archetypal-pattern-on-the-64-elements/1167/2 "2017-08-17T01:55:10Z")

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I’m… not sure this is the answer to your question, but I’ve always used the one-to-one parallel mapping from page 27 [here](http://dramatica.com/resources/assets/dramatica-appendix.pdf). So the top left corners are Protagonist (Knowledge, Actuality; Proven, Effect; Consider, Pursue; Certainty, Proaction), the bottom right corners are Antagonist (Thought, Perception; Unproven, Cause; Reconsider, Avoid; Potentiality, Reaction), and so on.

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