# Crucial element as hinge **URL:** \ **Category:** Support\ **Created:** [April 20, 2024, 9:47am UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895 "2024-04-20T09:47:07Z")\ **Posts on this page:** 8\ **Page:** 1
**Author:** ![hnif](https://avatars.discourse-cdn.com/v4/letter/h/e9a140/32.png) [@hnif](https://discuss.dramatica.com/u/hnif)\ **Post date:** [April 20, 2024, 9:47am UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/1 "2024-04-20T09:47:07Z")
Searching for information (or rules, really) about the crucial element, I find this - Change/Success - OS Problem is the MC Crucial Element Change/Failure - OS Solution is the MC Crucial Element Steadfast/Stop - OS Focus is the MC Crucial Element Steadfast/Start - OS Direction is the MC Crucial Element Are there similar ‘rules’ for the MC-IC crucial element ‘relationship’? I ask this as I understand the crucial element to be the ‘hinge’ between the MC and OS throughlines. Does anyone have a concise list of how altering MC here will result in IC changing there (in respect of crucial element)? ---
**Author:** ![Lakis](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/lakis/32/1816_2.png) [@Lakis](https://discuss.dramatica.com/u/Lakis)\ **Post date:** [April 20, 2024, 5:18pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/2 "2024-04-20T17:18:58Z")
I’m not sure I understand your question @hnif. The IC Crucial Element will always be the dynamic pair of the MC Crucial – e.g. MC: Avoid \<-\> IC Pursuit. But the IC Crucial Element doesn’t show up in the IC throughline. ---
**Author:** ![hnif](https://avatars.discourse-cdn.com/v4/letter/h/e9a140/32.png) [@hnif](https://discuss.dramatica.com/u/hnif)\ **Post date:** [April 20, 2024, 5:36pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/3 "2024-04-20T17:36:16Z")
i’m trying to figure out how to use the crucial element. in so far as it is the hinge between the MC and OS throughlines, i note that it is only ever spoken of relative to MC and IC throughlines. I wondered about an elaboration of the IC throughline side but also an understanding of how to use it as a true hinge. thanks. ---
**Author:** ![Lakis](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/lakis/32/1816_2.png) [@Lakis](https://discuss.dramatica.com/u/Lakis)\ **Post date:** [April 20, 2024, 5:53pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/4 "2024-04-20T17:53:28Z")
@hnif Here’s a quote from Chris Huntley in a thread from a few years ago that might be useful. > [@Does a change main character's "flipped" perspective need to match the influence character's perspective?](https://discuss.dramatica.com/t/does-a-change-main-characters-flipped-perspective-need-to-match-the-influence-characters-perspective/1195/14): > > While at the macro level the IC represents a huge paradigm shift by comparison to the MC – an internal approach v. an external approach, or vice versa – the crucial element provides the specific connective tissue at the element level. The MC Throughline and the IC throughline provide contrasts in perspective (“You and I are just alike,” “No, we’re nothing alike!”), the crucial elements provide direct, oppositional approaches within the OS. > > If you wish to illustrate a direct conflict between the IC and MC, use the crucial elements. For example, in The Godfather, Michael represents logic, whereas his wife Kaye represents feeling. In The Graduate, Ben represents pursue while Mrs. Robinson represents avoid (prevent – “My daughter is off limits”). Here’s the full thread: > [@Does a change main character's "flipped" perspective need to match the influence character's perspective?](http://dramatica.discourse.group/t/does-a-change-main-characters-flipped-perspective-need-to-match-the-influence-characters-perspective/1195): > > Every time I think I start to understand this Dramatica stuff… Okay so I get the analogy of an argument. The main character either stays steadfast to his/her worldview and changes the IC; or the MC “flips” and adopts the IC point of view. But there are lots of examples where the MC is influenced to change by the IC, but you can’t really say they’ve adopted the IC’s POV. Two examples that come to mind are The Graduate and The Godfather. Yeah, Ben changes as a result of Mrs. Robinson’s influenc… ---
**Author:** ![victoria](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/victoria/32/2128_2.png) [@victoria](https://discuss.dramatica.com/u/victoria)\ **Post date:** [April 20, 2024, 6:26pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/5 "2024-04-20T18:26:01Z")
As @Lakis has pointed out, the crucial elements are at the core of the argument. You can think about them as a hinge, but I certainly understand it better when I think about the opposition (MC crucial vs. IC crucial, always dynamic opposites) as the actual inequity the storyform is dealing with, what needs to be solved. It’s like the grain of sand that starts the process of growing the pearl in the oyster. ---
**Author:** ![mlucas](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/mlucas/32/275_2.png) [@mlucas](https://discuss.dramatica.com/u/mlucas)\ **Post date:** [April 20, 2024, 9:28pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/6 "2024-04-20T21:28:01Z")
To add onto @Lakis and @victoria 's posts… It’s worth pointing out that it’s okay if the crucial elements, and what they represent in the story’s argument, seem kind of basic or even trite at the beginning (when you are first planning your project). A sort of “yeah, that works, it’s in the right ballpark, but I’m not sure what all the fuss is about” feeling. This may even be a good thing! Why? Because as you develop and write your story, you get to know the characters better and explore the conflicts deeply enough to really understand things. My best experiences with using storyforms to write & revise have come when, late into the process (like 50-75% completed draft, or later) I suddenly realized what the crucial elements really _meant_, in _this_ story. (Especially the MC crucial.) I honestly think that NOT fully grokking the crucial elements at the beginning provides you motivation to keep writing, to explore and figure them out. (But this is very specific to my own process, so of course take it with a grain of salt! 🙂 ) ---
**Author:** ![hnif](https://avatars.discourse-cdn.com/v4/letter/h/e9a140/32.png) [@hnif](https://discuss.dramatica.com/u/hnif)\ **Post date:** [April 21, 2024, 6:15pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/7 "2024-04-21T18:15:41Z")
I used to know where to find the crucial element - i have both dramatica pro and dramatica 5. can someone remind me where to see it? thanks. ---
**Author:** ![mlucas](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/mlucas/32/275_2.png) [@mlucas](https://discuss.dramatica.com/u/mlucas)\ **Post date:** [April 21, 2024, 6:29pm UTC](https://discuss.dramatica.com/t/crucial-element-as-hinge/3895/8 "2024-04-21T18:29:32Z")
In Dramatica Pro, first make sure you are down to “1 storyform” (every option filled in). Then go to the Build Characters window (Character menu → Build characters), and click the quad in the top right to select the one where your elements will be (based on Concern location). Then you’ll see a view like this, with MC and IC Crucials indicated in red text: ![image](https://canada1.discourse-cdn.com/flex010/uploads/dramatica/original/2X/1/1a22f5c86a5376e91701ac1bb0601ac687529616.png)