# Understanding Steadfastness and Change in a Character

**URL:** <https://discuss.dramatica.com/t/understanding-steadfastness-and-change-in-a-character/996>\
**Category:** Support\
**Created:** [May 13, 2017, 2:18pm UTC](https://discuss.dramatica.com/t/understanding-steadfastness-and-change-in-a-character/996 "2017-05-13T14:18:12Z")\
**Posts on this page:** 2\
**Page:** 2

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**Author:** ![prenez](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/prenez/32/401_2.png) [@prenez](https://discuss.dramatica.com/u/prenez)\
**Post date:** [May 22, 2017, 3:25pm UTC](https://discuss.dramatica.com/t/understanding-steadfastness-and-change-in-a-character/996/21 "2017-05-22T15:25:23Z")

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two words. Dynamic effing pairs.

(joke borrowed from Midnight Run)

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**Author:** ![jhull](https://yyz2.discourse-cdn.com/flex010/user_avatar/discuss.dramatica.com/jhull/32/3_2.png) [@jhull](https://discuss.dramatica.com/u/jhull)\
**Post date:** [May 28, 2017, 8:19am UTC](https://discuss.dramatica.com/t/understanding-steadfastness-and-change-in-a-character/996/22 "2017-05-28T08:19:14Z")

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Conflict only exists within context. You don’t see it mentioned anywhere because it’s really mentioned everywhere–even beyond Dynamic pairs.

Context is everything–it’s why you have the You and I argument and you see it repeated throughout every quad. In one context you see the discreet, in another you see the blending.

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