# Want to Understand PASS and PRCO Better

**URL:** <https://discuss.dramatica.com/t/want-to-understand-pass-and-prco-better/971>\
**Category:** Support\
**Created:** [April 22, 2017, 11:26pm UTC](https://discuss.dramatica.com/t/want-to-understand-pass-and-prco-better/971 "2017-04-22T23:26:56Z")\
**Posts on this page:** 1\
**Page:** 1

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**Author:** ![geoff](https://avatars.discourse-cdn.com/v4/letter/g/a3d4f5/32.png) [@geoff](https://discuss.dramatica.com/u/geoff)\
**Post date:** [April 22, 2017, 11:26pm UTC](https://discuss.dramatica.com/t/want-to-understand-pass-and-prco-better/971/1 "2017-04-22T23:26:56Z")

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Can anyone help me to more easily distinguish Structural scenes/elements from Storytelling, Active from Passive? Jim Hull’s blog posts on his NarrativeFirst site helped a bit. I get the perception of Structural referring to the story form itself, like Concern and Issue, etc. Storytelling would be like how you convey it to the audience. I think Passive is merely illustrating it; Active is putting it into motion. What would really help would be to see more examples of each.

PASS has helped me understand why I would instinctively list several things in my story’s brainstorming list which didn’t seem to move the story forward, but seemed more illustrative.
