Usually the Element concepts are applied through the Problem/Solution/Symptom/Response quad that you would see in the analyses. Or as elements of the overall story characters, as in the archetypes section of the Dramatica theory book. These things all come up in scenes, like you might have a scene where the overall story Problem of Help is shown when the fugitive doctor sneaking into hospital helps a patient even though this act of helping puts him at grave risk of being discovered. (Harrison Ford in The Fugitive)
Is that what you meant? Or did you want an example of Dramatica creating the actual scene content using Elements? I’m not sure if there are any examples of that.
Here is an example of using the Variation level from the software’s Plot Sequence Report to create the sequences for a script: Far End of the Black script creation
I think technically you could then dig into the Elements under each Variation for ideas, but that might get a bit crazy. Another (probably better) approach to using Dramatica for scene creation has been explored recently at http://narrativefirst.com/blog/ but keep in mind it’s fairly new territory.
Personally, I think Dramatica’s biggest strength is the structure of the entire narrative: the sources of conflict in the story and the content of different Acts (using Signposts). So that’s where I’d start trying to apply it before getting into sequences and scenes.