Log In
Welcome to Discuss Dramatica
[
uncategorized
]
(1)
Help Understand the Four Through-lines!
(
2
3
)
[
questions
]
(44)
Holistic Problem Solving - A return to the It's Not About the Nail video
[
theory
]
(4)
Can A Rock Be an Antagonist? By Jim Hull
[
questions
]
(1)
Is this Failure or Success?
[
questions
]
(8)
Pixar’s Cars analysis
(
2
3
4
5
6
7
8
9
)
[
analysis
]
(175)
Trauma and its Consequences
[
questions
]
(9)
Catalyst / Inhibitor quad
[
questions
]
(2)
Dealing with other peoples' attitudes
[
writing
]
(8)
Story Goal of Return of the Jedi
[
analysis
]
(4)
More Clarity Needed Regarding the Antagonist & Villain
[
theory
]
(6)
Leon the Professional - analysis question
[
analysis
]
(11)
Fractal Storytelling and the PSR
[
writing
]
(1)
The long awaited Incredibles 2
(
2
)
[
analysis
]
(34)
Concern and Benchmark Relationship
[
uncategorized
]
(2)
Analysis of the original Jurassic Park
(
2
3
)
[
analysis
]
(53)
Fractals and Plot Points
[
uncategorized
]
(2)
Does changing Signpost Order in Story Weaving affect meaning?
[
writing
]
(6)
The wall and the stone
[
theory
]
(2)
Could mapping archetypal character interactions to story points advance narrative dynamics
[
questions
]
(3)
Mindhunter, dir. David Fincher
[
analysis
]
(4)
Emphasis of Throughlines
[
questions
]
(2)
Does the MC have to witness an IC SP to be influenced?
[
theory
]
(13)
Do you have to encode the effect of a conflict?
[
questions
]
(14)
Conflicts within conflicts
[
questions
]
(5)
Reappraisal - different from the appraisal?
[
questions
]
(4)
Zooming in obscures title
[
meta
]
(4)
Unity of illustrations
[
theory
]
(2)
Responding via Email
[
meta
]
(1)
Mental Sex and Yin/Yang
[
theory
]
(12)
next page →
Dramatica
®
The Next Chapter in Story Development
