Confirm or correct my hunch.
It’s said that the OS Issue v. Counterpoint is what feels closest to a story’s “theme.” My hunch is that is because the OS throughline commonly is the throughline that receives the most emphasis in a story.
If, for example, you have a romance story in which the RS throughline gets the most emphasis, does the RS Issue v. Counterpoint then feel closest to the story’s “theme?”
Thanks