Hi @bruingirl, welcome!
@Lakis and @Hunter already did a great job of answering your questions (which is fun to read as I prep a brand new rollout of Subtext this weekend!), but just some clarifications:
While I did switch to Changed for Main Character Resolve (because it makes more sense to me when you look at the end of the story to determine the resolve, is it Steadfast, or is it Changed? Plus, it helps to differentiate it from the narrative Element of Change, something altogether different), I have yet to make those other changes to terms Hunter marks down. Things like Uncontrolled to Free or Non-Acceptance to Rejection. Eventually, I'll have an option to do that, but not quite yet.
The whole purpose of Subtext is to provide a practical approach to using Dramatica. I have a ton of experience helping writers across all mediums (screenplays, novels, games) and wanted to put that in a form that could benefit everyone. The theory is not all that complicated, and you can see a significant improvement in your writing, IF you concentrate on the big parts first--that's what Subtext does.
The one thing that was briefly mentioned that I need to write about more are the weekly classes (the Writers Room). Every week on Thursday we get together for an hour to go over intricacies of the theory or like we did this last week, analyze a script on the Blacklist and figure out why it's there and not in theaters. I had no idea this would turn out to be as fruitful and as exciting as I though it would be when I started. We learn so much in the open forum discussion that just isn't possible here or in a podcast. We already have 40+ hours in the archives, and I have no intention of stopping!
