We might already be past this, but I find the first quad more on point for her.
Sorry to be difficult and flip-flopping though, but other than the fact that her mother is undocumented, I am still finding it easier to see Marta in Mind. So if we look at the Issues under MIND/MEMORY we have:
- TRUTH: If the family finds out the truth about Marta (that her mother is undocumented) it could cause big problems for her.
- EVIDENCE: Many examples of evidence causing problems for her.
- SUSPICION: Of course Blanc suspects her early on; she has to do various things to throw off suspicion.
- FALSEHOOD: Her problem with lying.
Meanwhile, for Harlan:
- FATE: It’s an apparent twist of fate that leads him to kill himself
- PREDICTION: Harlan predicts that his family will remain no-good and so cuts them out of the will; it’s his prediction of what will happen to Marta’s family that pushes her to go along with his plan
- INTERDICTION: “an effort to change a pre-determined course” He thinks he is dying and that Marta will be blamed, so he intervenes by slitting his own throat; he changes his will to cut his kids out
- DESTINY: Random gist for Destiny – “the future path an individual will take” “seeing the writing on the wall”. He knows that he may not have much time left, and he can see that his kids will never be worthy of his fortune. He knows what will happen to Marta’s family if she is caught, so he tries to change her Destiny.
I could probably flip these but it’s not as immediately obvious to me.
Not sure if this is right, but I try to think of the RS storypoints as either causing conflict or as the way for the relationship to grow. So this kind of secret mutual understanding they have – she knows things about him that not even his family does, he understands her family problems – basically, the fact that they understand each other in a way that none of the other characters do is the basis of their relationship, and, we can surmise, the reason that he leaves everything to her.
Sorry if that’s too vague. I could try to find better examples.
Maybe someone can still convince me why Marta is more of a Do-er than a Be-er?
The whole scene after she thinks Harlan is poisoned, she is panicked, frozen, while Harlan has to convince her to take action in order to save her family, and what action to take, though of course some of this is OS. But he’s not asking her her to adapt herself to her environment. He’s asking her to take action when her inclination is not to.
Why does it feel like such a change when she decides to accept the money? Because she has gone from being a doormat who is more than willing to go along to get along to someone who is taking charge of her life (e.g. who realizes that with enough money she can hire her own lawyers). That sound a lot more like Be-er to Do-er than Do-er to Be-er to me.