Livestream: Dramatica’s Four Horsemen of Storytelling

Today we unleash the complete set of Dramatica’s communication modes inside Narrova. Two new Agents—Storyweaving and Story Reception—now join Storyforming and Story Encoding to round out the “big four.” In this livestream, I’ll show what each mode does, when to use it, and how they work together to turn theme-level intent into audience-ready story.

What we’ll cover

  • Storyforming — Lock the spine: Domains, Concerns, Drivers, Limits, and the objective logic of your narrative.
  • Story Encoding — Express that structure: problems, solutions, and thematic material translated into concrete story choices.
  • Storyweaving (NEW in Narrova) — Assemble the experience: ordering scenes, reveals, momentum, and clarity so the audience can track meaning from first frame to final beat.
  • Story Reception (NEW in Narrova) — Prepare it for readers and viewers: transform rich thematic structure into clear, approachable output—loglines, summaries, treatments, and audience-first drafts.

Thanks everybody for showing up and asking questions!

Here is the “non-linear” version of the story:

The Pathfinder

(non-linear pass #2)

Valves run in the mint underworks. Thalia Crow manages the timing and opens wheels. Silas Pennant, dressed as a king’s officer, directs guards away from the crucial corridors. The plan is active: pull the palace aquifer through the mint, float the gold into the canals, and move it out on paths only Corin Vale can create. Corin confronts Paladin Elowen Rhys near the crucibles. He has seen her tight jaw, heard a clipped oath, and spotted Silas’s hawk sigil nearby. He reads these as proof that she has been guiding the king’s cruelty to justify her ledger. He is ready to act.

Elowen and Corin first cross paths at a temple portico. She settles a grain dispute quickly. As she passes him, her gauntlet brushes his sleeve. He notes the contact and her expression. He assumes she dismissed him.

Soldiers burn grain wagons in the square. Smoke fills the streets. People crowd against the mint wall. Corin places his hand on the stone and opens the hidden Mint‑Crypt stairs. This spends Anchor 1. He moves families into the underground and out of the smoke. Elowen and Silas witness him opening the way. The city begins to talk about it.

In the catacombs below the mint, the thieves discuss five different heist plans. Thalia sketches options on slate. Pike Lark and Nim Aster suggest routes and timing. Silas, wearing the king’s hawk, “drops” a palace inspection schedule. The crew settles on a plan: infiltrate under the audit, use Corin’s paths, and make it look like the king caused his own loss.

In the present, Corin finds a folded parchment near a guard station: formal arrest orders with the hawk seal. He keeps it. He believes the orders target Elowen’s movements and confirm his suspicion.

In a narrow passage, Corin and Elowen try to define their working relationship. They propose roles—judge and key, guide and guardian—but they misread each other’s tone and posture. Silas appears in hallways at bad moments. They leave with the wrong idea about each other.

At a tavern table, Elowen lays out prophecy tables and an empty ledger. She states that if the hoard stays sealed there will be famine, and if it is released by decree there will be riots. She says the only option that saves the most people is a controlled theft now. The thieves accept her timeline.

Thalia begins opening the primary valves. Silas redirects a patrol at the last minute. Crucibles start filling. The flood plan is in motion.

“Make it look like him,” Thalia says during planning, pointing to a chalk diagram that routes the aquifer to the crucibles and then to the canals. This becomes the working blueprint.

Elowen touches the inside of her breastplate. Names are engraved there. She does this quietly. Corin does not see it.

A palace audit starts unexpectedly. Inspectors and guards enter the mint. Silas allows the audit schedule to land where the crew can use it, forcing the team to commit to disguises immediately. Corin puts on a royal surveyor’s chain. Elowen registers as a temple auditor. Silas escorts them as if he serves the crown. Their roles grant access, and they keep performing them.

Corin collects anchors to hold routes: a river rhyme, the smell of forge smoke on his coat, and notches carved into his staff. At the canal lock, he uses the rhyme to open a door and move the crew past a checkpoint. This spends Anchor 2. He writes cues on his palms and claims they are old notes.

In the present, the same rhyme is visible on his hand. It is smudged. The valves are loud. He looks unsure but keeps moving.

The crew’s performance becomes part of the plan. The surveyor’s chain gets them into restricted stairwells. The auditor’s mantle gains access to ledgers and storerooms. Silas’s presence lowers suspicion. They practice their signatures and lines.

At night, by lantern, Elowen teaches oath forms. Corin teaches step patterns that make the stone respond. They agree on a tap signal system. Silas corrects their grips or counts when needed. His help works, but his timing makes them uneasy. They begin to rely on him and doubt him at the same time.

In the present, Corin hears a familiar tap and reads it as a covert order from Elowen. He adds this to his suspicion.

Elowen tracks city conditions: arrests increase, grain deliveries decrease, and temple burials rise. She shows the charts and argues for moving faster. The crew accepts the pace.

Corin compiles what he thinks are proofs: Silas’s paperwork, Elowen refusing to slow the flood, a half-heard line about settling accounts. He concludes Elowen has been directing events for her own reasons.

The line he heard earlier was a promise to carry the city’s debt, not a threat.

Gold begins to rise in the crucibles and move toward the canal gates. The plan is working. The king’s position will weaken as the hoard moves out of the mint.

Corin reaches a junction near the Saffron Bridge market. He uses the river rhyme again and finds a stair. This spends Anchor 3. The crew celebrates. Later that night he cannot find the route again. He hides that loss.

A test flush collapses a side tunnel. Dust fills the air. A bystander dies. The city goes under curfew. From this point, the story proceeds in order to the end.

The city assigns roles to the crew: liberators to some, thieves to others. Their disguises and actions are now part of their public identity. The plan grows into a cause.

Elowen focuses on immediate needs. She points out injuries and threats and tells Corin to open doors now. He does so. She does not slow or soften instructions.

They execute key steps together: a fake saint’s procession passes a guard line, a sluice opens on a specific count, and Corin carries a child between closing doors while Elowen holds pressure on a mechanism. Communication shortens to gestures and looks. They begin to misread these signals under stress.

Corin builds mental systems to keep functioning: he counts breaths, matches paths to bell strikes, and sets conditions for turns. He warns that one more emergency will overwhelm his method. The crew asks for one more anyway. He follows through, but he doubts his own choices.

Silas arrests Elowen in public to protect her cover and move her deeper into the palace. Corin sees this and believes Silas has switched sides and that Elowen is complicit. Elowen tries to signal otherwise, but he does not understand.

The crew finalizes the flood plan. With Elowen under arrest on paper, the others proceed with the aquifer pull. Corin confirms he can still open two anchors.

The flood runs fully. Water moves through the system. Crucibles overflow. Gold moves into the canals. The city hears what happened. The king’s standing drops.

Elowen opens her armor for Corin. He sees the names she has carved inside: families killed when the hoard was first taken, friends lost in earlier crackdowns, and dates tied to past abuses. She explains that her oath has always been about those names. Corin misreads the display as a record of victories. He misreads her prayer as intent to harm. He doubles down on his conclusion.

They complete the theft and secure the hoard for distribution. The relationship between Corin and Elowen breaks. He decides to act against her.

Guards close in. A child cries nearby. Corin reacts without thinking and opens a path at the aquifer sluice to pull people out. This spends Anchor 4. Under the same pressure he opens another path at the bell‑foundry vault to move the crew, the gold, and bystanders. This spends Anchor 5. He has no anchors left. Immediately after, he strikes Elowen. She dies. The ledger on her chest is still.

Morning arrives. Markets reopen with bread. The king’s banners hang unused. Silas holds Corin’s wrist and tells him he carried more than the city. Corin tries to remember key parts of his life—his father at the Saffron Bridge, festival food, Elowen’s actual intent—and cannot access them. The theft succeeded. The city benefits. Corin has lost his remaining paths and his closest ally. He understands that he cannot undo what he did.

And then here is the “linear” version of the story:

The Pathfinder

(Linear pass)

Soldiers burn grain wagons in the square. Smoke drives people against the mint wall. Corin Vale places his hand on the stone and opens the hidden Mint‑Crypt stairs, spending Anchor 1. He moves families into the undercellar and out of the smoke. Paladin Elowen Rhys and Silas Pennant see him do it. Word spreads that someone can open roads through stone.

In the catacombs, the thieves—Thalia Crow, Pike Lark, Nim Aster—debate five heist options. Thalia sketches on slate. Silas, wearing the king’s hawk, “drops” an inspection schedule. The crew chooses a plan: infiltrate under a palace audit, use Corin’s paths, and make it look like the king caused his own loss.

Corin and Elowen try to define how they will work together. They settle on rough roles—she protects the city’s interests; he opens routes—but misread each other’s tone and signals. Elowen then presents prophecy tables and an empty ledger: if the hoard stays sealed, famine by first frost; if released by decree, riots by snowmelt. She argues a controlled theft now will save the most people. The crew accepts her timetable.

Corin tests his ability in private and finds gaps. His body reaches for an old stair; blank stone answers. Panic forces a thin passage; it works, but he feels a personal loss he can’t name. He commits to the plan to avoid freezing when lives depend on him.

A palace audit arrives without warning. Inspectors and guards flood the mint. Silas lets the audit schedule fall into the right hands, forcing the team to commit. Corin puts on a royal surveyor’s chain. Elowen registers as a sanctified auditor. Silas escorts them as a loyal officer. Their roles grant access, and the plan starts moving.

Corin builds anchors to hold long-term routes: a river rhyme, forge smoke on his coat, notches carved into his staff. At the canal lock, he uses the rhyme to open a door and move the crew past a checkpoint, spending Anchor 2. He writes cues on his palms and claims they are long-standing notes. The act becomes the plan: the chain and mantle open restricted stairwells and storerooms; Silas’s presence lowers suspicion; they practice signatures and lines.

By lantern, Elowen teaches oath forms; Corin teaches step patterns. They agree on a tap-signal system. Silas corrects grip and cadence when needed. His help works, but his timing makes them uneasy. They begin to rely on him while doubting him. Elowen tracks conditions across the city—arrests up, grain down, funerals rising—and pushes for speed based on daily declines. The pace increases.

A test flush of the aquifer system collapses a side tunnel. Dust fills the air. A bystander dies. The city goes under curfew. Public opinion shifts. Some call the crew liberators; others call them thieves. Their disguises and actions become their reputation. The plan swells into a cause.

Elowen focuses on immediate needs. She points to injuries and threats and tells Corin to open doors now. He does so. They execute key steps together: a fake saint’s procession passes a guard line; a sluice opens on a set count; Corin carries a child between closing doors while Elowen holds pressure on a mechanism. Communication shortens to gestures. Under stress, they misread signals: a nod looks like an order; a tense jaw looks like a threat.

Corin builds mental systems to keep functioning: counting breaths, matching turns to bell strikes, setting conditional rules for each junction. He warns that one more emergency will overwhelm his method. The crew still asks for one more. He complies, but his confidence drops.

To preserve Elowen’s cover and move her deeper inside the palace, Silas arrests her in public. She raises her hands and tries to signal that this is staged. Corin, already strained and misreading, believes Silas has switched sides and that Elowen is complicit.

With Elowen under arrest on paper, the crew finalizes the flood plan: pull the palace aquifer through the mint, flood the crucibles, float the bullion to the canals, and move it out on threadroads only Corin can open. Corin confirms he still has two anchors left.

They execute. Valves open. Water moves through tanks. Crucibles overflow. Gold enters the canals. The king’s standing drops as word spreads of his lost hoard. The heist succeeds.

Elowen shows Corin the inside of her breastplate. Names are carved there: families killed when the hoard was minted, friends lost in crackdowns, dates tied to past abuses. She explains that her oath has always been about those names and settling that old account. Corin, fixed on his conclusion, reads the carvings as tallies and hears her prayers as threats. He doubles down.

Guards close in. A child cries nearby. Corin reacts without thinking and opens a path at the aquifer sluice to pull people out, spending Anchor 4. Under the same pressure, he opens another at the bell‑foundry vault to move the crew, the gold, and bystanders, spending Anchor 5. He has no anchors left. Immediately after, in the same reflexive state, he strikes Elowen. She dies. The ledger on her chest goes still.

Morning arrives. Bread returns to market tables. The king’s banners hang unused. Silas holds Corin’s wrist and tells him he carried more than the city. Corin tries to recall key parts of his life—his father at the Saffron Bridge, festival mornings, Elowen’s actual intent—and cannot access them. The theft succeeded and the city benefits. Corin has lost his remaining paths and his closest ally. He understands that he cannot undo what he did.