I’m building a TV series, and from the theories I’ve learned were dramatic but I couldn’t buy the Software, so I had to Assign all the point that i could manually, now in between my hands there is a Storyform for Pilot and Storyform for the Season as per Sir James Hull’s advice, and I could never imagine a Storyforms more From one Season - and if the story bears, I can’t - the Concern was able to withstand me and I tried to get it out as well as possible, but the problem faced me in arranging the Signposts and now my question is the following:
I faced a problem - which I can overlook - that I did not arrange the Signposts for each Storyform in the order of the Software, because I reached that information after I did the work, and I received a more important information, which is that the one who tells a story from a culture other than Western does not have to deal with the program but with the theory.
But the matter is, yes, I write a story with my own narration as an Arab, but I am influenced by Western narration and the Western language as by my culture narration. .
My question here is, does this arrangement harm the Argument that will occur in the story? Am I trying to force the form\order or something?
Of course, I will not finish rewriting the story at this point, but I am waiting for enough money so that I can consult a specialist in that theory and ask for his help, but for the time being, as you can see, I cannot buy the program itself :))
This is my story points and Thoroughness, if someone kindly look at it and give me an advice.
Note: The story it self is BIG, revisiting some old religious themes like God, Devil, Human, Mind, Soul, In a Dystopian city where tech. and modern science fall dead.
This link will guide you to pictures for the story points, Concern, and Throughlines.