Hey Jim, just want to poke at something earlier in the thread:
I would suggest “being inconsiderate” could fit either Conscious or Consider, depending on the “level” that they come across in the story (Plot vs. Character, though it’s not always easy to tell).
For Consider it’s like, you didn’t stop to weigh the pros and cons of how your actions might hurt someone, that kind of thing. That’s probably why the gist was there in DSE / Subtext. There are lots of good examples of this in Notting Hill which has an OS Problem of Consider, though of course the feel of that story is WAY different than an OS in Conscious. Also Notting Hill is definitely about weighing pros and cons, at its core!
(NOTE: this is not a comment on the Planes… storyform … been way too long since I’ve seen that, though now I want to again!)