Okay, I just have to say this:
I’ve been working with the updated version of Subtext, and OMG does it work! I’m not sure I’ve ever felt Dramatica magic like this. My message was stinkin’ hard to pin down, being a holistic isolation, buried in the first act of a linear triumph… (Yeesh! But, it makes sense considering what I was going through when I first wrote the darn thing.)
And, I finally know why the player in which I first placed the IC Perspective leaves at the beginning of the third act. It turns out that decision sets up the hand-off to the new player, and is reinterpreted in the context covered by the last thematic conversation of that act.
My mind has been blown several times over using this great and helpful system.