Pretty Outstanding Update to Narrova: Introducing Narrova Skills

Was testing the most recent update to Narrova (March 2026), and had to step back - as this is pretty outstanding performance.

There’s a whole bunch I did over the past couple of months, and I think you’ll find Narrova even more comfortable helping you develop your stories. It’s no longer trapped in walled-off “rooms” for the individual Agents (Storyforming, Story Encoding, etc.) and instead, thanks to many many improvements in the capabilities of the models we use, we can now rely on Narrova to get the job done right the first time.

By means of example, and I’ll schedule a livestream this week (for real!) to go over everything, but this is one of Narrova’s “skills” which you’ll likely recognize from Subtxt…

You can call these at any time you’re collaborating with Narrova, but one day to do it is straight off the top:

In earlier iterations of the Extract Four Throughlines skill, we relied on a linear, queue-based approach—one that could competently derive the Four Throughlines from a simple story idea, but only in a single pass.

Now, with iterative capabilities in place, Narrova can build on its own reasoning—layering inference, revisiting assumptions, and refining outputs to produce significantly richer and more coherent results.

Combine this with direct access to Dramatica’s underlying theory of story, and the system begins to demonstrate something far more compelling—what can only be described as narrative intelligence:

Find Best Storyform is another new Narrova Skill, connected directly to the Storyform Builder. It allows Narrova to traverse the 32,000+ possible Storyforms within the Dramatica model, evaluating and comparing them to identify the one that best aligns with the author’s intent.

With extended reasoning time (this request took 5½ minutes), Narrova can explore potential sources of conflict, validate those choices, and backtrack when necessary—searching for the precise configuration of narrative dynamics that supports ongoing development and refinement.

In the end, Find Best Storyform returns the top four candidates, highlighting one as the strongest match for the story being told.

Drawing on over three decades of narrative research, Narrova can also reference prior analyses—such as CODA and Charlotte’s Web—to triangulate (or more accurately, quad-rangulate) the specific combination of narrative elements that work together to support a cohesive argument.

As with all great analysis, the review comes complete with evidence and backing:

And even goes so far as to review its justification for where it focused the Goal and Consequence of the Objective Story Plot:

Narrova is quite literal, so while it may have saved the “winning” Storyform into our NCP Story Notebook, you can always nudge it to transfer everything discussed:

And because we believe so strongly in the transportability and efficacy of our approach, the entire Storyform is available to you for download through the open-source project Narrative Context Protocol (NCP):

This JSON object is perfect for slotting into any part of your production’s pipeline (or just for using for your own side projects!).

If you’re a subscriber to the platform, try out these new Skills and let us know how it goes. Otherwise we’ll see you later this week!

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I just tried the Narrova “extract four throughlines” skill and I’m SUPER impressed! :slight_smile:

It felt like a hail mary to start – I had the idea that I should try to plan out my full series a little more (aiming for maybe 10 or 12 books, but that’s a total guess). Books 1-3 are published, 4 and part of 5 in very rough draft, and my ideas for the rest of the series, though exciting, are increasingly vague…

But after a conversation with Narrova we got down to a storyform that works incredibly well! It might not the absolute perfect one, but seems very close to what I want to say – definitely close enough to use for planning at this high level.

What I love isn’t just knowing the storyform that I can write to, but also that Narrova helped me understand WHY this storyform works – helped me see certain aspects from a different perspective, just like working with any other Dramatica expert. It made one comment about the IC Concern that just floored me, it was so spot on. :exploding_head: It felt like I was talking to someone who’s actually read all 10-12 books of the series, even though most of them are still in my head!

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So happy to hear this! :innocent: Thanks for sharing…

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FYI I continued the conversation with Narrova further and it was beautiful. :slight_smile:

I now have this wonderful and very inspiring picture of what I’m trying to say with the whole series. It’s almost hard to believe, given I didn’t even know it would be possible to identify a storyform, let alone understand it so well, going into the conversation.

I wish I could share more of it but it would be massive spoilers for the next 7+ books. I will say, Narrova did amazing stuff with the Relationship Story. We got the storyform without focusing on the RS too much, but when I saw the RS Problem of Ending I could see exactly how that fit. So then I explained how Ending worked to Narrova, but I had no idea about the Knowledge Issue at all, and asked if it could help. The reply (see below) was SUPER insightful and made everything click. Even crazier, some of the examples were word-for-word from a scene in Book 2!

Sure, some of that was based on how I explained the Ending problem – but it was able to layer on the Knowledge stuff SO perfectly. It just feels that’s exactly what I meant to say (and have already said) about this relationship, all along.

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