Exploration of Sequences in relation to the Issue and Counterpoint?
The Fourth Modality & Scene Construction
OS Characteristics and the Story Goal
MC Handoffs & Multiple MCs
Dramatica Story Expert Instructional Video : Part 4 : Storyweaving
Story weaving example
Aware vs Self-Aware
Where Would the Stereotypical Hitmen Fall on the Character Chart?
Pairing variations as in Screenwiters book
Has anyone outlined the Step-by-Step Development found within Dramatica for Screenwriters?
Love Story Specifics
Crucial element question (again)
Influence character who is also protagonist
Instinct vs. Preconscious - Is There A Difference?
Has anyone done a complete analysis of Hacksaw Ridge
Writing help for Acts, Sequences, Scenes and Elements
Multiple Storyforms: Thematically Linked?
IC Missing until Act 2 = Broken story form?
Differentiating The Past from Memory
Consequence of Impulsive Responses?
Plot Sequence Report ... Getting Under the Hood
Consequence of Developing a Plan
The Methodologies, Purposes, and Evaluations of the Archetypes
Understanding Driver/Passenger Plot Story Points relationship?
A steadfast anti-hero?
Can my antagonist be my protagonist's alter ego?
Equity vs Inequity
Different feel of story depending on element-set
Separating the Main Character from Overall Story Throughline
← previous page
next page →
The Next Chapter in Story Development