The James Bond Dilemma
Z-Pattern, Novel length, etc
The Crucial Element and Archetypes
Understanding Steadfastness and Change in a Character
Distinguishing between IC and RS throughlines?
How the Genre is reflected in every scene?
Relationship Throughline - What if it changes?
How do distinguish between Obtaining and Doing?
Influence character who is also protagonist
Unique Ability to achieve story goal/resolution
Can a main character be "steadfast" in one storyform and "changed" in another?
About Static Plot Story Points
Nature of the MC problem and solution
Want to Understand PASS and PRCO Better
Overall story issue of Approach
Steadfast Characters Solutions in the Analyses
The Relationships between Concerns in Different Domains? Genre?
Relationship fixed attitude
Formulation of Unique Ability and Critical Flaw for an Antagonist MC
Understanding the meaning of scenes
Breaking down you story into managable pieces
Hinder as Soloution
Domains and Classes aren't quite the same thing?
Dramatica and Non-Fiction
Stories Without Protagonists?
Theme Browser and PSR
Tkad and prco patterns
Rogue One, thoughts?
Where is the videolink to the 2016 Story Embroidery session
← previous page
next page →
The Next Chapter in Story Development