About the writing category
Separating my storytelling from the story problem
Table of Scenes & every possible story point on a single page
Equity/Inequity from a linear POV
Experiment: changing the limit
Impact Character not the antagonist VENT/RANT
Is “conflict averse vs argumentative” in attitude vs approach or in preconception vs openness?
How I use dramatica to decide what to write about
Relationship Story Signpost of Learning
Storyform for a Sleeping Beauty Retelling
Main Character test in reverse
The feeling when you find your storyform
Sharing tips for writing with Dramatica
Dramatica MC point of view versus novel storytelling "POV"
Any tips on how to prevent telegraphing who will change (MC or IC)?
Help with my novel
Crucial Elements for Steadfast & Failure story
Encoding True Conflict in Throughlines Other than the MC’s
Choosing right domain for construction deficiencies and defects
How to nail down a storyform quickly
The dark side of Narrative First
MC Concern - Works/Doesn't Work
The Problem of the Novelist and Dramatica
Kishōtenketsu Plot without Conflict?
Any tips/resources on how RS story points relate to RS "outcome"?
Issues of being-old within Becoming
Why is that symptom-response associated with that problem?
Can an internal OS have an external "surrogate goal" for a clearer climactic event?
The Inequity of a story
Understanding the Antagonist in my Story
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The Next Chapter in Story Development